OFSTAD VISITING SCHOLAR PROGRAM

The Clayton B. Ofstad Reading Series

Fall 2024


Thursday, September 12, 2024 | 7 p.m. | Ophelia Parrish
Dr. Doug Reside
Lecture: “Forbidden Knowledge: The History and Uses of Theatrical Bootlegs”

Doug Reside A Truman alum, Dr. Doug Reside is the Curator of the Billy Rose Theatre Division and manages all aspects of the division’s collections and public services. He joined the New York Public Library (NYPL) in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He has published and spoken on topics related to theater history, literature, and digital humanities, and has managed several large grant-funded projects on these topics. Reside is especially interested in the use of digital forensic tools to study the creative process. He received a PhD in English from the University of Kentucky.

Thursday, October 17, 2024 | 7 p.m. | Ophelia Parrish 2210
Dr. Janet Sylvester
Reading: Prize-Winning Work Both Old and New

Dr. Janet Sylvester Janet Sylvester’s prize-winning books are And Not to Break (Bordighera Press, NYC); The Mark of Flesh (Norton); That Mulberry Wine (Wesleyan); and Color Wheel (In progress).

2024

  • February 15, 2024
    Nina Furstenau
    Reading and Q&A

  • March 6, 2024
    Julie L. Moore
    Reading and Q&A

  • April 11, 2023
    Kelly Wright
    Lecture: “Linguistic High Crimes”

2023

  • October 19, 2023
    Taylor Jones
    Lecture: The Linguistic Skills of Leaders
  • October 7, 2023
    Alexandra Rowland
    Seminar and Reading: “The Squamish Language Policy and Language Commission”
  • March 2, 2023
    Kyle Eveleth
    Ofstad Scholar Lecture: “The Semiotics of Play, or ‘Teaching History through Cannibalism’”
  • January 26, 2023
    Anand Prahlad
    A Reading with Ofstad Visiting Writer

2022

  • Oct. 20, 2022
    Nzingha Kendall
    Lecture from Visiting Ofstad Scholar Dr. Nzingha Kendall
  • Sept. 16, 2022
    Dr. Caitlin Coons
    “Toward Inclusive Linguistic Typology: What Understudied Sign Languages Contribute”
  • April 1, 2022
    Mark Wisniewski
    A Fiction Reading with Author Mark Wish and Truman Students
  • March 15, 2022
    Dr. Rachel Weissler
    “Approaching Linguistic Discrimination and Social Justice through Sociolinguistic and Psycholinguistic Approaches”
  • Feb. 4, 2022
    Dr. Tabitha Lowery
    “Thank God for Little Children’: Frances Harper’s Children’s Poetry, Social Justice, and the Archives in the Twenty First Century”

2021

  • Oct. 5, 2021
    Angela Shaw-Thornburg
    Lecture, “‘What Shall I Tell My Children Who Are Black?’ Stories We Tell About Black Childhood”
  • Sept. 16, 2021
    Maria Miranda Maloney
    Reading from Cracked Spaces
  • Sept. 8, 2021
    Megan Figueroa
    “Decolonizing (Psycho) Linguistics Means Dropping the Language ‘Gap’ Rhetoric”

2020

  • October 29, 2020:
    Tricia Levenseller
    “Turning Rejection into Success”
  • October 14, 2020:
    Darcy Browning
    “Hesitation in Asynchronous Media: Twitter Hashtags and Spoken Discourse Markers in Survivor Stories”
  • September 17, 2020:
    Anne Morey
    “‘That’s Marriage’: Gone Girl and the Genealogy of the Paranoid Woman’s Film”
  • April 2, 2020:
    Amanda Nadelberg
    “Life Forms: Poems from Daily Habits”
  • February 19, 2020:
    Nicole Ziegler
    “Technology-Mediated Task-Based Language Teaching and Research”
  • February 11, 2020:
    Amy Levin
    “Dutch Museums as Models for Gender Diversity and Community Engagement”
  • February 4, 2020:
    Neil Hilborn
    A Poetry Reading

2019

  • November 6, 2019:
    Zoe Estelle Hitzel
    A Poetry Reading
  • November 4, 2019:
    Miyabi “Abbie” Yamamoto
    “Reimagining the Ivory Tower”
  • September 18, 2019:
    Sheena Shah
    “SiPhûthî, an Endangered Language of Southern Africa”
  • February 27, 2019:
    Elizabeth  Kissling
    “Accent in the Foreign Language Classroom: Misconceptions, Methodologies, and The Making of a Good Speaker”
  • February 9, 2019:
    Angela Carter
    “Classrooms in Crisis: Disability Pedagogy, Feminism, and The Trigger Warning Debate”
  • February 7, 2019:
    Meg Elison
    A Speculative Fiction Reading

2018

  • October 8, 2018:
    Alexandria Lockett
    “Overflow: The Leaky Politics of Living in The Data Deluge”
  • October 4, 2018:
    Prajwal Parajuly
    Selections from The Gurkha’s Daughter and Land Where I Flee
  • September 19, 2018:
    Marissa Fond
    “Sociolinguistics in the Field(s)”
  • April 4, 2018:
    Dawn Sardella-Ayres
    “Girls’ Literature as Genre and The Importance of Girlhood”
  • March 1, 2018:
    David Elliott
    Reading from Bull, Voices: The Final Hours of Joan of Arc, and other works
  • February 22, 2018:
    Doug Reside
    “Editing Musical Theatre in the Digital Age”
  • February 12, 2018:
    Scott Johnson
    “Egos and Epigraphy: Decoding Maya Hieroglyphs”
  • February 8, 2018:
    Laura McHugh
    Reading from Arrowood and “Endgame”

2017

  • November 9, 2017:
    Arisa White
    A Poetry Reading
  • September 7, 2017:
    Katherine Riestenberg
    “Task-Based Teaching of Endangered Languages: Challenges and Successes of Zapotec Revitalization in Oaxaca, Mexico”
  • February 15, 2017:
    Faith Adiele
    Selections from her Nonfiction Writing

2016

  • September 21, 2016:
    Maggie Messitt
    Reading from The Rainy Season and work-in-progress
  • February 10, 2016:
    Allison Joseph
    A Poetry Reading

2015

  • October 6, 2015:
    Prajwal Parajuly
    Reading from Land Where I Flee
  • March 18, 2015:
    Bennett Sims
    Multimedia Reading of White Dialogues

2014

  • November 19, 2014:
    David Chan
    Reading from City of Ghosts
  • September 30, 2014:
    Saïd Sayrafiezadeh
    A Prose Reading
  • March 18. 2014:
    Cornelius Eady
    A Poetry Performance and Reading
  • April 17, 2014:
    David Chan
    Reading from Utopian Fairytales

2013

  • October 24, 2013:
    Paul Legault
    Reading from The Emily Dickinson Reader and selected poems